Described as a cross between a traditional book club and a university course without exams, this popular program is in-person and online for the 2022-23 season! This registration option is for the Wednesday ONLINE subscription option only.
A link will be sent to subscribers between 7:00 and 7:30 pm on the day of the lecture. The links to the lectures will be accessible from their launch date until August 31, 2023.
Other subscription options are available here: https://www.heliconianclub.org/about-the-2022-23-series.html
Suanne Kelman will lecture on Sea of Tranquility.
(We recommended that you read the prequel, The Glass Hotel.)
Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.
Two centuries later a famous writer named Olive Llewellyn is on a book tour. She’s traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive’s best-selling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him.
When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe.
A virtuoso performance that is as human and tender as it is intellectually playful, Sea of Tranquility is a novel of time travel and metaphysics that precisely captures the reality of our current moment.
Amid all the anger and confusion surrounding the global refugee crisis, Omar El Akkad’s What Strange Paradise paints a portrait of displacement and belonging that is at once unflinching and tender. In examining the confluence of war, migration and a sense of settlement, it raises questions of indifference and powerlessness and, ultimately, offers clues as to how we might reach out empathetically in a divided world.
More bodies have washed up on the shores of a small island. Another overfilled, ill-equipped, dilapidated ship has sunk under the weight of its too many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives back in their homelands. But miraculously, someone has survived the passage: nine-year-old Amir, a Syrian boy who is soon rescued by Vanna. Vanna is a teenage girl, who, despite being native to the island, experiences her own sense of homelessness in a place and among people she has come to disdain. And though Vanna and Amir are complete strangers, though they don't speak a common language, Vanna is determined to do whatever it takes to save the boy.
In alternating chapters, we learn about Amir's life and how he came to be on the boat, and we follow him and the girl as they make their way toward safety. What Strange Paradise is the story of two children finding their way through a hostile world. But it is also a story of empathy and indifference, of hope and despair--and about the way each of those things can blind us to reality. Winner of the 2021 Scotiabank Giller prize
The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away — to move to one of the last remnants of pre-disaster society — but she can’t bring herself to abandon her mother and the community that relies on her. When she’s offered a coveted place on a dangerous and profitable mission, she jumps at the opportunity to set her family up for life, but how can Reid ask people to put their trust in her when she can’t even trust her own mind.
With keen insight and biting prose, Premee Mohamed delivers a deeply personal tale that reflects on the meaning of community and asks what we owe to those who have lifted us up.
It is 1939, with the world on the brink of global war, when Constable Hotchkiss confronts the spoiled, narcissistic man-child Ernie Sickert about a rash of disturbing pranks in their small prairie town. Outraged and cornered, Ernie commits an act of unspeakable violence, setting in motion a course of events that will change forever the lives of all in his wake.
With Loretta Pipe—the scrappy twelve-year-old he idealizes as the love of his life—in tow, Ernie flees town. In close pursuit is Corporal Cooper, who enlists the aid of two brothers, veterans of World War One: Jack, a sensitive, spiritual man with a potential for brutal violence; and angry, impetuous Dill, still recovering from the premature death of his wife who, while on her deathbed, developed an inexplicable obsession with the then-teenaged Ernie Sickert.
When a powerful storm floods the prairie roads, wreaking havoc, Ernie and Loretta take shelter in a one-room schoolhouse where they are discovered by the newly arrived teacher, Vidalia Taggart. Vidalia has her own haunted past, one that has driven her to this stark and isolated place with only the journals of her lover Dov, recently killed in the Spanish Civil War, for company. Dill, arriving at the schoolhouse on Ernie's trail, falls hard and fast for Vidalia—but questions whether he can compete with the impossible ideal of a dead man.
Guy Vanderhaeghe, writing at the height of his celebrated powers, has crafted a tale of unrelenting suspense against a backdrop of great moral searching and depth. His is a canvas of lavish, indelible detail: of character, of landscape, of history—in all their searing beauty but all their ugliness, too.
Drawing on both lived experience and cultural memory, Norma Dunning brings together six powerful new short stories centred on modern-day Inuk characters in Tainna. Ranging from homeless to extravagantly wealthy, from spiritual to jaded, young to elderly, and even from alive to deceased, Dunning’s characters are united by shared feelings of alienation, displacement and loneliness resulting from their experiences in southern Canada.
In Tainna—meaning “the unseen ones” and pronounced Da-e-nn-a—a fraught reunion between sisters Sila and Amak ends in an uneasy understanding. From the spirit realm, Chevy Bass watches over his imperilled grandson, Kunak. And in the title story, the broken-hearted Bunny wanders onto a golf course on a freezing night, when a flock of geese stand vigil until her body is discovered by a kind stranger.
Norma Dunning’s masterful storytelling uses humour and incisive detail to create compelling characters who discover themselves in a hostile land where prejudice, misogyny and inequity are most often found hidden in plain sight. There, they must rely on their wits, artistic talent, senses of humour and spirituality for survival; and there, too, they find solace in shining moments of reconnection with their families and communities. Winner of the 2021 Governor- General’s Prize for Fiction
The lives of two Nigerian women divided by class and social inequality intersect when they're kidnapped, held captive, and forced to await their fate together.
In the Nigerian city of Enugu, young Nwabulu, a housemaid since the age of ten, dreams of becoming a typist as she endures her employers’ endless chores. She is tall and beautiful and in love with a rich man’s son.
Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewellery lovestruck Eugene brings her, but has no intention of becoming his second wife.
When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate.
Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria, celebrating the resilience of women as they navigate and transform what remains a man’s world. Shortlisted for the 2021 Scotiabank Giller Prize.
Born and raised on a remote British Columbia commune, Astra Brine has long struggled to find her way in the world, her life becoming a study of the thin line between dependence and love, need and desire. Over the years, as her path intersects with others—sometimes briefly, but always intensely—she will encounter people who, by turns, want to rescue, control, become, and escape her, revealing difficult yet shining truths about who they are and what they yearn for.
There is the childhood playmate who comes to fear Astra’s unpredictable ways. The stranger who rescues her from homelessness, and then has to wrestle with his own demons. The mother who hires Astra as a live-in nanny even as her own marriage goes off the rails.
The man who takes a leap of faith and marries her.
Even as Astra herself remains the elusive yet compelling axis around which these narratives turn, her story reminds us of the profound impact that a woman can have on those around her, and the power struggles at play in all our relationships, no matter how intimate. A beautifully constructed and revelatory novel, Astra explores what we’re willing to give and receive from others, and how well we ever really know the people we love the most. Long listed for the 2021 Scotiabank Giller Prize..
In 2008, Jaspreet Singh made a pact with his mother. He would gladly give her the go-ahead to publish her significantly altered translation of a story from his collection, Seventeen Tomatoes, if she promised to write her memoirs. After she died in 2012, he decided to take up the memoir she had started. My Mother, My Translator is a deeply personal exploration of a complex relationship. It is a family history, a work of mourning, a meditation on storytelling and silences, and a reckoning with trauma—the inherited trauma of the 1947 Partition of India and the direct trauma of the November 1984 anti-Sikh violence Singh experienced as a teenager.
Tracing the men and especially the women of his family from the 1918 pandemic through the calamitous events of Partition, My Mother, My Translator takes us through Singh’s childhood in Kashmir and with his grandparents in Indian Punjab to his arrival in Canada in 1990 to study the sciences, up to the closing moments of 2020, as he tries to locate new forms of stories for living in a present marked by COVID-19 and climate crisis.