Thursday Series 2020-21
October 22- Joan Thomas: Five Wives
In the tradition of The Poisonwood Bible and State of Wonder, a novel set in the rainforest of Ecuador about five women left behind when their missionary husbands are killed, Five Wives is based on the shocking real-life events
In 1956, a small group of evangelical Christian missionaries and their families journeyed to the rainforest in Ecuador intending to convert the Waorani, a people who had never had contact with the outside world. The plan was known as Operation Auca. After spending days dropping gifts from an aircraft, the five men in the party rashly entered the “intangible zone.” They were all killed, leaving their wives and children to fend for themselves.
Five Wives is the fictionalized account of the real-life women who were left behind, and their struggles – with grief, with doubt, and with each other – as they continued to pursue their evangelical mission in the face of the explosion of fame that followed their husbands’ deaths.
Winner of the 2019 Governor-General’s Literary Award for Fiction.
November 26- Cary Fagan: The Student
A portrait of a life in two snapshots.
It’s 1957 and Miriam Moscowitz is starting her final year of university with unwavering ambition. She is a passionate student who studies hard, dates a handsome Jewish man with a good job, and is the apple of her father’s eye (and worry of her mother’s). But when a meeting with a professor she admires turns sour, her dreams of a life immersed in literature are extinguished and—perhaps for the first time—she becomes unsure of how to break a path for herself.
It’s 2005 and Miriam is readying her backyard for a wedding. She picks up one of her books from 1957 and reads the marginalia written in her young, minuscule handwriting. She wonders what the young person who had written all these words almost half a century ago has to do with the older woman who is deciphering them now.
The Student is a compassionate and compelling novel that brings together two pivotal times in history. In beautiful prose, it reveals how we are shaped by – and try to overcome – the constraints of our times.
Finalist for the 2019 Governor-General’s Literary Award for Fiction
January 28- Jesse Thistle: From the Ashes: My Story of Being Métis, Homeless and Finding My Way
In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.
Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, whose tough-love attitudes quickly resulted in conflicts. Throughout it all, the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling with all that had happened, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. Finally, he realized he would die unless he turned his life around.
Through sheer perseverance and education—and newfound love—he found his way back into the circle of his Indigenous culture and family.
An eloquent exploration of the impact of prejudice and racism, From the Ashes is, in the end, about how love and support can help us find happiness despite the odds.
Finalist for CBC Reads and Indigenous Voices Awards
February 25- Derek Mascarenhas: Coconut Dreams
Coconut Dreams explores the lives of the Pinto family through seventeen linked short stories. Starting with a ghost story set in Goa, India in the 1950s, the collection weaves through various timelines and perspectives to focus on two children, Aiden and Ally Pinto. These siblings tackle their adventures in a predominantly white suburb with innocence, intelligence and a timid foot in two distinct cultures. Derek Mascarenhas takes a fresh look at the world of the new immigrant and the South Asian experience in Canada.
In these stories, a daughter questions her father’s love at an IKEA grand opening; an aunt remembers a safari-gone-wrong in Kenya; an uncle’s unrequited love is confronted at a Goan Association picnic; a boy tests his faith amidst a school-yard brawl; and a childhood love letter is exchanged during the building of a backyard deck. Singularly and collectively, these stories will move the reader with their engaging narratives and authentic voices
March 4- Carla Gunn: Amphibian
Nine-year-old Phineas William Walsh has an encyclopedic knowledge of the natural world. He knows that if you wet a dog's food with your saliva and he refuses to eat it then he's top dog, and he knows that dolphins can sleep half a brain at a time. What he doesn't know, though, is why his grandfather died, or why waste-of-flesh Lyle always picks on him. Or why his parents can't live together - after all, when other mate-for-life animals have a fight, it's not like one of them just packs his bags and leaves the country. To make it infinitely worse, he's worried sick about what humans are doing to the planet, and his mother is worried sick about him. But shouldn't everyone be losing sleep over the fact that a quarter of all Earth's mammals are on the Red List of Threatened Species? So, when a White's tree frog ends up in an aquarium in his fourth-grade classroom, it's the last straw, and he and his best friend, Bird, are spurred to action.
Finalist for the Commonwealth Writers’ Prize for Best First Book, (Canada and the Caribbean Region)
April 15- Emma Donoghue: Akin
A personal note: Akin is my only book to grow out of a particular place: it’s inspired by the two years (2011-12 and 2015-16) I spent with my French partner and our children in Nice. Despite having a degree in French and English, over the decades I’ve consistently failed to become fluent in French, so this novel is a sort of apologetic love-letter to the country that intrigues me so deeply, where I will always be a stranger. I chose New York as the place where Noah’s family would end up not only because it was an obvious choice for people involved in the art world, but because my father the literary critic Denis Donoghue taught at NYU from the late seventies to the early 2010s, and the one year I spent in that city at the age of nine was eye-opening in every way.
The story of Noah’s mother was prompted by the wartime experiences of Marguerite Matisse Duthuit, daughter to the painter who lived in Nice for so long, which I learned about in Hilary Spurling’s extraordinary biography Matisse: The Life. But I decided to make Noah’s grandfather a photographer instead, because that could be called the key twentieth-century art form, and because photographs (pre-digital) have such uncanny power as evidence. My image-maker friend Margaret Lonergan created some of Margot’s photos for me to include in the book, as well as designing the cover from a 1930s shot of the Promenade des Anglais by Swiss photographer Martin Hürlimann.
May 13- Linden MacIntyre: The Wake
On November 18, 1929, a tsunami struck Newfoundland’s Burin Peninsula. Giant waves up to three storeys high hit the coast at a hundred kilometres per hour, flooding dozens of communities and washing entire houses out to sea. The most destructive earthquake-related event in Newfoundland’s history, the disaster killed twenty-eight people and left hundreds more homeless or destitute. It took days for the outside world to find out about the death and damage caused by the tsunami, which forever changed the lives of the inhabitants of the fishing outports along the Burin Peninsula.
Scotiabank Giller Prize–winning writer Linden MacIntyre was born near St. Lawrence, Newfoundland, one of the villages virtually destroyed by the tsunami. By the time of his birth, the cod-fishing industry lay in ruins and the village had become a mining town. MacIntyre’s father, lured from Cape Breton to Newfoundland by a steady salary, worked in St. Lawrence in an underground mine that was later found to be radioactive. Hundreds of miners would die; hundreds more would struggle through shortened lives profoundly compromised by lung diseases ranging from silicosis and bronchitis to cancer. As MacIntyre says, though the tsunami killed twenty-eight people in 1929, it would claim hundreds if not thousands more in the decades to follow. And by the time the village returned to its roots and set up as a cod fishery once again, the stocks in the Grand Banks had plummeted and St. Lawrence found itself once again on the brink of disaster.
CBC and Globe and Mail Best Book of the Year
June 10- Olga Tokarczuk: Drive Your Plow Over the Bones of the Dead with Suanne Kelman.
In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans.
Then a neighbour, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind...
A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? Who is worthy of a voice?
Finalist for the International Booker Prize and the National Book Award for Translation