Described as a cross between a traditional book club and a university course without exams, this popular program is in-person and online for the 2022-23 season! This registration option is for the Thursday ONLINE subscription option only.
A link will be sent to subscribers between 7:00 and 7:30 pm on the day of the lecture. The links to the lectures will be accessible from their launch date until August 31, 2023.
Other subscription options are available here: https://www.heliconianclub.org/about-the-2022-23-series.html
Dante’s Indiana is affecting and strange, intimate and big-hearted—an extraordinary journey through the darkly divine comedies of our time..
Middle-aged, married, but living on his own, Prin has lost his way. Desperate for money and purpose, he moves to small-town Indiana to work for an evangelical millionaire who’s building a theme park inspired by Dante’s Inferno. He quickly becomes involved in the difficult lives of his co-workers and in the wider struggles of their opioid-ravaged community while trying to reconcile with his distant wife and distant God. Both projects spin out of control, and when a Black teenager is killed, creationists, politicians and protesters alike descend. In the midst of this American chaos, Prin risks everything to help the lost and angry souls around him while searching for his own way home.
Swimming Back to Trout River is set against the backdrop of China’s Cultural Revolution that follows a father’s quest to reunite his family before his precocious daughter’s momentous birthday. How many times in life can we start over without losing ourselves?
In the summer of 1986 in a small Chinese village, ten-year-old Junie receives a momentous letter from her parents, who had left for America years ago: her father promises to return home and collect her by her twelfth birthday. But Junie’s growing determination to stay put in the idyllic countryside with her beloved grandparents threatens to derail her family’s shared future.
What Junie doesn’t know is that her parents, Momo and Cassia, are newly estranged from one another in their adopted country, each holding close private tragedies and histories from the tumultuous years of their youth during China’s Cultural Revolution. While Momo grapples anew with his deferred musical ambitions and dreams for Junie’s future in America, Cassia finally begins to wrestle with a shocking act of brutality from years ago. In order for Momo to fulfill his promise, he must make one last desperate attempt to reunite all three members of the family before Junie’s birthday—even if it means bringing painful family secrets to light. Longlisted for the 2021 Scotiabank Giller Prize
In the midst of war, an ordinary miracle: an abandoned baby tenderly cared for by a young boy living on the streets of Saigon. The boy is Louis, the child of a long-gone American soldier. Louis calls the baby em Hồng, em meaning "little sister," or "beloved." Even though her cradle is nothing more than a cardboard box, em Hồng's life holds every possibility.
Through the linked destinies of a family of characters, the novel takes its inspiration from historical events, from Operation Babylift, which evacuated thousands of biracial orphans from Saigon in April 1975, to the remarkable growth of the nail salon industry, dominated by Vietnamese expatriates all over the world. From the rubber plantations of Indochina to the massacre at My Lai, Kim Thúy sifts through the layers of pain and trauma in stories we thought we knew, revealing transcendent moments of grace and the invincibility of the human spirit.
Kim Thúy's Em is a virtuosic novel of profound power and sensitivity, and an enduring affirmation of the greatest act of resistance: love.
Tuscan Daughter set during the Italian Renaissance and Beatrice, a young and defiant female artist, is searching for her mother.
Florence in 1500, is a city that glitters with wealth and artistic genius but it is also a place of fierce political intrigue, walled off from the unrest in the surrounding Tuscan countryside. In this moment, a peasant girl finds herself alone after her father is killed and her mother disappears. Young Beatrice must dare to enter the city to sell her family’s olive oil in order to survive, but also to search the streets and opium dens for her missing, grieving mother.
Walking barefoot from her outlying village, Beatrice is given grudging permission to pass through the city gates to sell olive oil to the artists—Michelangelo, Leonardo da Vinci, Botticelli—who toil to elevate the status of the Florentine Republic. Lonely yet defiant, the peasant girl draws on the stone walls of Florence in secret as a way to express her pain. While desperately searching the city for her mother, Beatrice befriends the upstart Michelangelo as he struggles to sculpt the David. She also comes to know a cloth merchant’s wife who is having her portrait painted by the aging Leonardo da Vinci, renowned through the land as Master of the Arts. Bonds deepen even while Michelangelo and Leonardo are pitted against each other.
Set during five epic years in the early 1500s when Florence was rebranding itself through its creative geniuses, Tuscan Daughter reveals the humanity and struggles of a young woman longing to find the only family she has left and be an artist in her own right, and the way she influences the artistic masters of the time to stake everything on the power of beauty to transform and heal.
Suanne Kelman will lecture on The Promise
The Promise, winner of the 2021 Booker Prize, is a modern family saga. The novel charts the decline of a white family during South Africa’s transition out of apartheid. It begins in 1986, with the death of Rachel, a 40-year-old Jewish mother of three on a smallholding outside Pretoria. The drama of the novel turns on a promise that her Afrikaner husband, Manie, made to her before she died, overheard by their youngest daughter, Amor: that Manie would give their black maid, Salome, the deeds to the annexe she occupies. Now that Rachel is dead, Manie has apparently forgotten and doesn’t care to be reminded. Nor does his bigoted family, who regard Amor’s stubborn insistence that Salome should own her home as the kind of talk that “now appears to have infected the whole country”.
Manie’s failure to keep his word falls like a curse as we follow his children down the decades. Four sections, set at roughly 10-year intervals, from Botha to Zuma via the 1995 Rugby World Cup and Mbeki’s inauguration, are each named after a family member who will die; even once you’ve twigged the significance of the section titles, Galgut steals the breath with his willingness to fell his characters so randomly. Amor’s bulimic sister, Astrid, unhappily married with twins, becomes a social climber who, lured by proximity to power, cheats on two husbands; their older brother, Anton, lives in the shadow of an unrecognised crime committed while a teenage conscript deployed against black protesters during the violence of the 1980s. Winner of he 2021 Booker Prize.
The Forgotten Daughter begins in 1992: French-Canadian factions renew Quebec’s fight to gain independence, and wild, beautiful Véronique Fortin, daughter of a radical separatist convicted of kidnapping and murdering a prominent politician in 1970, has embraced her father’s cause. So it is a surprise when she falls for James Phénix, a journalist of French-Canadian heritage who opposes Quebec separatism. Their love affair is as passionate as it is turbulent, as they negotiate a constant struggle between love and morals.
At the same time, James’s older sister, Elodie Phénix, one of the Duplessis Orphans, becomes involved with a coalition demanding justice and reparations for their suffering in the 1950s when Quebec’s orphanages were converted to mental hospitals, a heinous political act of Premier Maurice Duplessis which affected 5,000 children.
Véronique is the only person Elodie can rely on as she fights for retribution, reliving her trauma, while Elodie becomes a sisterly presence for Véronique, who continues to struggle with her family’s legacy.
The Forgotten Daughter is a moving portrait of true love, familial bonds, and persistence in the face of injustice. As each character is pushed to their moral brink, they will discover exactly which lines they’ll cross—and just how far they’ll go for what they believe in.
“I am your maid. I know so much about you. But when it comes down to it: what is it that you know about me?”
Molly Gray is not like everyone else. She struggles with social skills and misinterprets the intentions of others. Her gran used to interpret the world for her, codifying it into simple rules that Molly could live by.
Since Gran died a few months ago, twenty-five-year-old Molly has had to navigate life’s complexities all by herself. No matter—she throws herself with gusto into her work as a hotel maid. Her unique character, along with her obsessive love of cleaning and proper etiquette, make her an ideal fit for the job. She delights in donning her crisp uniform each morning, stocking her cart with miniature soaps and bottles, and returning guest rooms at the Regency Grand Hotel to a state of perfection.
But Molly’s orderly life is turned on its head the day she enters the suite of the infamous and wealthy Charles Black, only to find it in a state of disarray and Mr. Black himself very dead in his bed. Before she knows what’s happening, Molly’s unusual demeanour has the police targeting her as their lead suspect. She quickly finds herself caught in a web of deception, one she has no idea how to untangle. Fortunately for Molly, friends she never knew she had unite with her in a search for clues to what really happened to Mr. Black—but will they be able to find the real killer before it’s too late?
A Clue-like, locked-room mystery and a heart warming journey of the spirit, The Maid explores what it means to be the same as everyone else and yet entirely different—and reveals that all mysteries can be solved through connection to the human heart.
When Donna Morrissey left the only home she had ever known, an isolated Newfoundland settlement, at age 16, she was ready for adventure. She had grown up without television or telephones but had absorbed the tragic stories and comic yarns of her close-knit family and community. The death of her infant brother marked the family, and years later, Morrissey suffers devastating guilt about the accidental death of her teenage brother, whom she'd enticed to join her in the oilfields.
In another writer's hands, Morrissey's account of her personal story could easily be a tragedy. Instead, she combines darkness and light, levity and sadness into her tale, as her indomitable spirit and humour sustain her. Morrissey's path takes her from the drudgery of being a grocery clerk to western oilfields, to marriage and divorce and working in a fish-processing plant to support herself and her two young children. Throughout her struggles, she nourishes a love of learning and language.
Morrissey layers her account of her life with stories of those who came before her, a breed rarely seen in the modern world. It centers around iron-willed women: mothers and daughters, wives, sisters, teachers and mentors who find the support, the wind for their wings, outside the bounds given to them by nature. And it is a mysterious older woman she meets in Halifax who eventually unleashes the writer that Morrissey is destined to become.
An inspiring and insightful memoir, Pluck illustrates that even when you find yourself unravelling, you can find a way to spin the yarns that will save you--and delight readers everywhere.